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Elements and Performance Criteria

  1. Clarify composition requirements
  2. Compose melodies
  3. Finalise compositions

Required Skills

Required skills

communication and teamwork skills sufficient to

discuss compositional requirements in a collaborative manner

respond positively to constructive feedback on own compositions

numeracy skills sufficient to determine duration of songs or musical pieces

listening skills in the context of

using aural imagination when manipulating musical elements

applying auralperception skills to improve compositional outcomes

initiative and enterprise skills in the context of experimenting with musical styles and elements

planning and organisational skills sufficient to

gather information on musicalstyles elementsandformsstructures

match repertoire to purpose of composition

learning skills sufficient to

identify and use techniques to develop aural memory and imagination

continuously evaluate and adjust own work via critical listening

musical skills sufficient to

use compositional techniques relevant to selected musical styles

use instruments and musical elements relevant to selected musical styles

Required knowledge

music knowledge sufficient to

recognise chords and keys in tonal andor other musical systems

understand and apply instrument tuning

understand scope and capacity of instruments for which compositions are developed

issues and challenges that typically arise in the context of composing songs or musical pieces

Evidence Required

The Evidence Guide provides advice on assessment and must be read in conjunction with the performance criteria required skills and knowledge range statement and the Assessment Guidelines for the Training Package

Overview of assessment

Critical aspects for assessment and evidence required to demonstrate competency in this unit

Evidence of the ability to

compose simple songs or musical pieces for a specific purpose

apply music repertoire and instrument knowledge

use musical elements and melody conventions

Context of and specific resources for assessment

Assessment must ensure

access to an environment where songwriting skills can be applied

access to appropriate range of instruments

use of culturally appropriate processes and techniques appropriate to the language and literacy capacity of the candidate and the work being performed

Method of assessment

The following assessment methods are appropriate for this unit

case studies to assess ability to use musical elements and melody conventions

direct observation of the candidate composing songs or musical pieces

authenticated samples of songwriting work with candidates selfevaluation

written or oral questioning or interview to test knowledge of songwriting techniques

case studies and scenarios as a basis for discussion of issues and challenges that typically arise in the context of composing songs or musical pieces

Guidance information for assessment

Holistic assessment with other units relevant to the industry sector workplace and job role is recommended


Range Statement

The range statement relates to the unit of competency as a whole. It allows for different work environments and situations that may affect performance. Bold italicised wording, if used in the performance criteria, is detailed below. Essential operating conditions that may be present with training and assessment (depending on the work situation, needs of the candidate, accessibility of the item, and local industry and regional contexts) may also be included.

Relevant personnel may include:

performer

client

marketing and promotions personnel

artist's agent

tutor

mentor.

Purpose of composition may be for:

specific artist

ensemble

music theatre

own personal development

corporate purposes

cultural purposes

marketing and promotion

educational purposes

special communities

special occasions

public and/or religious ceremonies

audio or video recordings for online products or interactive games.

Musical styles may include:

classical

contemporary:

blues

folk

gospel

country

electronic

heavy metal

hip hop

industrial

pop

punk

rap

reggae

rock

R&B

soul funk

emo

jazz:

contemporary

cool school

easy listening

fusion

swing

tin-pan alley

traditional.

Musical elements may include:

acoustics

aesthetic qualities

articulation

attack

beat

cultural context

duration

dynamics

expression

form

harmony/chords

instrumentation

interpretation

intonation

melody

notation

nuance

orchestration

ornamentation

phrasing

pitch

relationship to song lyrics

rhythm

scales

shape

sound production

suspensions

tempo

texture

timbre/tone colour

time signatures

tonality

transposition

unity and contrast

voicing

volume.

Musicalforms/structures may include:

air

binary

free/through-composed

mobile

rondo

sonata

strophic

ternary

variation

verse-chorus, i.e. combinations of verse, chorus, bridge and/or other contrasting sections, such as ABA, AABA, etc.

Format may be:

notated

computer-based

recorded.

Standard melody conventions may include:

diatonic

embellishments

harmonic rhythm

imitation

leap

melisma

phrase

pitch

repeated notes

sequence

step

turnaround

unison.

Copyright notice may include:

copyright symbol, followed by the name of the copyright owner and the year of first publication

for sound recordings, the letter P (for phonogram) in a circle or in brackets is used.